As Hahn remakes the lyric sequence in chains reminiscent of the Japanesetanka, the foreign bodies of the title expand to include the immigrant woman’s trafficked body, fossilized remains, a grandmother’s Japanese body. She explores the relationship between our innermost selves and the relics of our vanished past, making room for meditation on grief and the ephemeral nature of the material world, for the account of a nineteenth-century female fossil hunter, and for a celebration of the nautilus.Foreign Bodiesinvestigates the power of possession, replete with Hahn’s electric originality and thrilling mastery of ever-changing forms.